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Crow Country
Crow Country is a retro-styled 32-bit survival horror game that takes about four hours to play. What I love about Crow Country is its Story Mode, which removes all enemies and allows you to enjoy the game as an atmospheric adventure in an abandoned amusement park.
The year is 1990, and you (ostensibly) play as a police detective named Mara Forest investigating the disappearance of Edward Crow, the owner of a small Atlanta-area amusement park called Crow Country. Crow Country shut down and closed to the public after a girl named Elaine Marshall was severely injured in an accident two years ago.
Although Elaine’s family sued Edward Crow for the hospital fees, he never responded to court summons, and now the park sits boarded up and abandoned. Mara has reason to believe that Crow has holed himself up on the property, however, so she breaks in and begins searching for clues pertaining to his whereabouts.
Unfortunately for Mara, there are zombies about, but she has a gun and a car trunk full of ammo. There’s also ample ammo scattered throughout the park, as well as different types of guns (and grenades) for Mara to pick up and experiment with. I’ve heard that the zombies aren’t particularly aggressive, and that shooting them isn’t particularly difficult, but I wouldn’t know. I didn’t bother with combat, and I have no regrets.
Even in Story Mode, Crow Country is a dense game with a lot to do. The map isn’t actually that big, but every “room” has multiple points of interaction. Most of this interaction provides atmosphere and flavor text, but Mara also needs to solve environmental puzzles in order to find the tools she needs to progress deeper into the park.
Mara is able to collect bits and pieces of brochures that she assembles into a map that proves to be extremely useful, as locked doors and unsolved puzzles are clearly marked. Although I did have to look up one or two (optional) puzzle solutions online, I was never lost, stuck, or confused about what I needed to do next. Unlike many puzzle-based adventure games, Crow Country is entirely possible to play without a guide.
Although its most obvious gameplay influence is Resident Evil, Crow Country looks exactly like Final Fantasy VII. All of the character models are made of charmingly blocky polygons, and the environments are pre-rendered and gradient shaded. Thankfully, points of interaction are clearly articulated, and you can rotate the camera a full 360 degrees. Mara is easy to control, and it’s a joy to move through this environment, especially as you begin to open Dark Souls style shortcuts.
Crow Country isn’t a cozy horror game; there’s no learning or friendship or beautiful autumn leaves or anything like that. That being said, the horror elements are very mild. Despite the atmospheric creepiness of its setting, Crow Country is less of a horror story about zombies and more of a speculative fiction story about how we as individuals process the reality of climate change. I’d actually love to write an essay about this sometime soon.
I wasn’t expecting Crow Country to be so fun to play, or for it to be so creatively designed, or for its story to hit so hard. I have zero patience for stupid "intentionally inaccessible" retro game bullshit at this point in my life, but Crow Country is all killer no filler. Since it’s so short and inexpensive, I’d recommend the game to anyone who’s interested. Even if you’re not into abandoned amusement parks, Crow Country is the return to Final Fantasy VII’s rustpunk city of Midgar that you didn’t know you needed.
The year is 1990, and you (ostensibly) play as a police detective named Mara Forest investigating the disappearance of Edward Crow, the owner of a small Atlanta-area amusement park called Crow Country. Crow Country shut down and closed to the public after a girl named Elaine Marshall was severely injured in an accident two years ago.
Although Elaine’s family sued Edward Crow for the hospital fees, he never responded to court summons, and now the park sits boarded up and abandoned. Mara has reason to believe that Crow has holed himself up on the property, however, so she breaks in and begins searching for clues pertaining to his whereabouts.
Unfortunately for Mara, there are zombies about, but she has a gun and a car trunk full of ammo. There’s also ample ammo scattered throughout the park, as well as different types of guns (and grenades) for Mara to pick up and experiment with. I’ve heard that the zombies aren’t particularly aggressive, and that shooting them isn’t particularly difficult, but I wouldn’t know. I didn’t bother with combat, and I have no regrets.
Even in Story Mode, Crow Country is a dense game with a lot to do. The map isn’t actually that big, but every “room” has multiple points of interaction. Most of this interaction provides atmosphere and flavor text, but Mara also needs to solve environmental puzzles in order to find the tools she needs to progress deeper into the park.
Mara is able to collect bits and pieces of brochures that she assembles into a map that proves to be extremely useful, as locked doors and unsolved puzzles are clearly marked. Although I did have to look up one or two (optional) puzzle solutions online, I was never lost, stuck, or confused about what I needed to do next. Unlike many puzzle-based adventure games, Crow Country is entirely possible to play without a guide.
Although its most obvious gameplay influence is Resident Evil, Crow Country looks exactly like Final Fantasy VII. All of the character models are made of charmingly blocky polygons, and the environments are pre-rendered and gradient shaded. Thankfully, points of interaction are clearly articulated, and you can rotate the camera a full 360 degrees. Mara is easy to control, and it’s a joy to move through this environment, especially as you begin to open Dark Souls style shortcuts.
Crow Country isn’t a cozy horror game; there’s no learning or friendship or beautiful autumn leaves or anything like that. That being said, the horror elements are very mild. Despite the atmospheric creepiness of its setting, Crow Country is less of a horror story about zombies and more of a speculative fiction story about how we as individuals process the reality of climate change. I’d actually love to write an essay about this sometime soon.
I wasn’t expecting Crow Country to be so fun to play, or for it to be so creatively designed, or for its story to hit so hard. I have zero patience for stupid "intentionally inaccessible" retro game bullshit at this point in my life, but Crow Country is all killer no filler. Since it’s so short and inexpensive, I’d recommend the game to anyone who’s interested. Even if you’re not into abandoned amusement parks, Crow Country is the return to Final Fantasy VII’s rustpunk city of Midgar that you didn’t know you needed.