rynling: (Cool Story Bro)
This is one of the reasons why I'm so shy about sharing the Ocarina of Time Zelda/Link story I've been writing for the past month, by the way. I'm definitely writing it with my own two hands, and I've been writing at the extremely careful and detail-oriented pace of about a paragraph a day. Still, I'm terrified that, because this is such a popular pairing in such a popular fandom, someone will accuse me of being a machine.

Like at the beginning of the current chapter, Link arrives in Gerudo Canyon, and he's thinking about Zelda in a certain type of way, and so he sees the sky above the canyon walls as a blue ribbon trailing down the sunburnt angles of a woman's back.

But I know - from having to read undergraduate paper submissions - that machine writing loves to use imagery connected to a single primary color (red, yellow, or most often blue) in the opening paragraph. So now I'm wondering if I should rephrase my own human writing, or if I should rewrite the beginning of this chapter entirely, or if maybe I should just give up and never write anything ever again. It's maddening.
rynling: (Gators)
So I woke up to this anonymous ask on Tumblr this morning...

( Read more... )

...and (this) is the post it’s referring to.

( Read more... )

I’m not hating on the person who sent the ask, not at all. If they weren’t anonymous, I would reply to tell them that I appreciate them, and I might share some things privately that I won’t say here. At the same time, it feels deeply dystopian that this sort of vigilance is a perfectly reasonable response to the world we have to live in now.

Also god I hope no one thinks this about my own stupid illustrations. Like I’m not tracing from AI or whatever, I’m just bad at drawing.
rynling: (Mog Toast)
( Read more... )

This month I participated in two fandom art challenges, and I feel like my drawing has improved significantly during a very short span of time. I guess it’s possible to achieve results if you actually sit down and put in the hours. Good to know.

Anyway, the Ocarina of Time remake comes out this Thursday! Cheers to all who celebrate.
rynling: (Gators)
I do understand posts like this in the genAI age of fandom
https://ponyregrets.tumblr.com/831457456531046400/i-do-understand-posts-like-this-in-the-genai-age

Maybe the speed of my writing would be a red flag but I wouldn't have enough other red flags for people to really put me through the AI wringer. But I do think that fandoms that focus hard on calling out AI fics are going to lose human writers and stories because the stress of dealing with passing fanfic CAPTCHA tests just isn't worth it.

The OP, who is Chash on AO3, does indeed have a history of writing very smoothly and very prolifically. At the same time, there's nothing in her writing style that's even remotely close to Gen-AI text. As she says, she doesn't have enough red flags for people to bother her, but she's also a semi-professional writer in her thirties. I can totally see a younger or less experienced (or less well-established) writer getting in trouble, though, and it's a shame.

( Read more... )
rynling: (Cool Story Bro)
Manuscript to Momentum
https://northnode.mysamcart.com/manuscript-to-momentum/

Tired of feeling like you're shouting into the void every time you promote your books? Build your author brand, find your readers, and sell more books.

Method Agency
https://authors.methodagency.com/

Plan a year of book-selling content in just a few hours. The Year of Content System for Authors has 400+ proven prompts for social media, email, videos and more all wrapped in a simple planning process so you always know what to create, when to post, and how it turns into actual book sales.

From what I understand, you essentially pay $30 to download a PDF that tells you how to do selfpub marketing on social media. According to people on Reddit, both programs are very basic, but they're not scams. Idk man. This sort of thing makes me feel weird, but I also feel like I could probably use some help to get started.
rynling: (Default)
Fauna and Folly: A Cozy Academia Fantasy Romance Novel
https://www.kickstarter.com/projects/crowmance/fauna-and-folly-a-cozy-slow-burn-winter-romantasy-novel/

Since the beginning of the year, I've been seeing a number of Kickstarter projects for the physical publication of novels like this. This one stands out to me for not using Gen-AI art, which I appreciate.

Though the story doesn't appeal to me in the slightest, I'm curious about what one of these books looks like. Since it's not too expensive, I think I'll back this one.

Also, the author's Instagram is (here), and I'm interested in studying what's going on with this sort of account.
rynling: (Mog Toast)
( Read more... )

This week I did a thorough fall clean of my house and brought as many of my backyard plants inside as I can fit next to the windows. I’m actually a very minimalism sort of person, but it’s always nice to be surrounded by healthy green leaves.

In Silksong news, I think I finally managed to get a handle on the Act 3 fight against Skarrsinger Karmelita, whom people have compared to Malenia (the ultra-challenge boss) in Elden Ring. Karmelita is great, but I tend to think that the closest character to Malenia is Hornet herself. She has a giant Sephiroth sword and a fucked-up little sibling and everything. I love her.
rynling: (Default)
And Then There Were None
An official manga adaptation of the Agatha Cristie novel.

( Read more... )

Adabana
A gritty crime drama about a teenage girl who turns herself in to the police, claiming that she committed murder. Serious content warning on this one.

( Read more... )

What Six Survivors Told
A slice-of-life comedy about a group of people in their 20s living their best lives in an almost-empty mall during a zombie apocalypse.

( Read more... )

Vegetable Sandwich
A comedy about the friendship between a tough-looking but weak high school boy and a super-strong elementary school girl with retro-style art inspired by Rumiko Takahashi.

( Read more... )

The Magical Revolution of the Reincarnated Princess
A silly yuri comedy romance about being reborn into a fantasy world and becoming a wizard so that you can date the beautiful and powerful daughter of a duke.

( Read more... )
rynling: (Terra)
It’s a bit early, but this month I want to recommend four books, one manga, and one graphic novel.

Scary Stories to Tell in the Dark (here on Wikipedia)

This is the classic collection of urban legends from 1981 with the ultra-creepy illustrations by Stephen Gammell.

( Read more... )

Fragments of Horror (publisher page)

A collection of eight Junji Ito short stories from 2014, and the book I’d recommend as the best place to start reading the artist’s work if you’re curious.

( Read more... )

Strange Cases (publisher page)

A gorgeously drawn graphic novel about a law student who returns home for his mother’s funeral and ends up solving a series of supernatural mysteries.

( Read more... )

The Eyes of the Dragon (here on Wikipedia)

A Stephen King novel from 1984 that tells a stand-alone fantasy story about two princes defying the schemes of an evil wizard.

( Read more... )

The Binding (publisher page)

A low fantasy novel that resembles the manga Witch Hat Atelier on a thematic level.

( Read more... )

To Feed the King (Wikipedia page)

This is a literary novel published earlier this year about a woman who recreates time-period accurate table settings (with plastic food) in castles and other historic residences in England.

( Read more... )
rynling: (Mog Toast)
( Read more... )

After a short hiatus, I returned to my graduate program in Silksong. What I learned this week is that it’s useful to play the Act 3 boss fights with a decent level of volume, as the sound cues are extremely helpful. Unfortunately, most of the boss fight songs are ridiculously overdramatic earworms. This means that I’ll be, like, washing dishes while the Tormented Trobio battle music plays in my head.
rynling: (Terra)
Dear Author,

Thank you so much for offering to write for me!

I love atmospheric storytelling and worldbuilding, and what I want more than anything is the opportunity to spend more time in the fictional worlds that have captivated me. I’m equally delighted by slice-of-life, adventure, romance, and horror, and I also adore nonfiction meta essays and narrative concept sketches. Please feel free to dig as deep (or as lightly) into canonical lore and speculative theories as you wish.

I’m happy to read anything you’d like to write for my requested fandoms. I love most characters and ships, and I’m willing to be convinced on others. My fandom-specific prompts are just suggestions that I offer in the hope that perhaps they might be interesting to you.

I know that what you create will be wonderful, and I’m looking forward to reading your work!

I’m totally okay with:

( Read more... )

I’d prefer not to see:

( Read more... )

Here are some of my fandom-specific interests:

( Read more... )
rynling: (Default)
Let me share the PDFs of the two academic articles about creepypasta that I requested.

"Horror Memes and Digital Culture" by Tosha R. Taylor (PDF here)

This article is mostly a documentation of digital media history (like: there was this and this and this) without much analysis, but it's fairly solid.

"Gothic Digital Technologies" by Joseph Crawford (PDF here)

This article also contains a lot of documentation, mostly of the same creepypasta texts as the previous article, and it also provides a tidy bit of cultural contextualization. Another solid piece of writing.

If you're the sort of person who likes to read Wikipedia, both articles are entertaining. Still, I didn't learn anything that I didn't already know. It's fair to say that I'm the sort of sicko who probably knows more about creepypasta than most people, but I wish the authors had singled out a few texts for deeper analysis.
rynling: (Cool Story Bro)
The rise of end times fascism
https://www.theguardian.com/us-news/ng-interactive/2025/apr/13/end-times-fascism-far-right-trump-musk

To put it bluntly, the most powerful people in the world are preparing for the end of the world, an end they themselves are frenetically accelerating. That is not so far away from the more mass-market vision of fortressed nations that has gripped the hard right globally: in a time of ceaseless peril, openly supremacist movements in these countries are positioning their relatively wealthy states as armed bunkers. These bunkers are brutal in their determination to expel and imprison unwanted humans and equally ruthless in their willingness to violently claim the land and resources they deem necessary to weather the coming shocks.

Apparently the two authors, Naomi Klein and Astra Taylor, just published their research as a book (here's its website) that I'm not looking forward to reading. But I will. Because this is the world we live in now, I guess.

ETA: I do want to say, though, that I find Naomi Klein's particular brand of hyperbole to be aggravating. Klein has a habit of acting like every stupid cultural trend is the end of the world, which I'm not sure is accurate or meaningful. I know the sort of writing on the book's website is just marketing copy, but still. In any case, while I don't think the silly sci-fi fantasies of oligarchs are necessarily going to result in an actual apocalypse, I also don't think Klein is wrong to argue that it's important to pay attention.

As an aside, getting really deep into a study of the climate change accelerationism and eco-fascism advocated by loathsome men like Peter Thiel and Elon Musk as a logical endpoint for the (pseudo-)philosophy of "effective altruism" is what caused me to abandon my Tears of the Kingdom Modern AU story The Archives of Hyrule earlier this year. It took less than a week of reading and listening to podcasts for me to go from "Ganon is 2 sexy 2 be evil" to "I think we're gonna have to kill this guy Steven." I'm joking, obviously, but what I mean is that the contradictions and conflicts represented by the character stopped being something I found enjoyable to write about. I want to say that there's a genuinely utopian potential in the techno-magical dreams of ambitious men, but I'm not feeling it at the moment.
rynling: (Default)
Before Slender Man and CreepyPastas There Was "Ted the Caver"
https://bloody-disgusting.com/editorials/3488602/slender-man-creepypastas-ted-caver/

In a time preceding the popularization of MySpace (or even the invention of Facebook, for that matter), customizable web pages were all the rage, with blogging having exploded in popularity all around the world. Several web-hosting sites attempted to cash in on the trend, and it was on an unassuming AngelFire page that spelunking enthusiast Ted began to share his growing obsession with the aptly named "mystery cave."

This morning I learned about Ted the Caver. I wish I hadn't. 🫠

I requested two of the articles cited in the Wikipedia entry from my library. Maybe they're interesting? I'll report back.

It occurs to me that I've encountered several "Ted the Caver" style stories on Tumblr dot com. Except, instead of an outdoor enthusiast going crazy because of a cave, an artist went crazy because of a discourse spiral. Finding one of these blogs and reading it backwards is unreal, like. Is this a bit? Hopefully it's a bit. Hopefully the actual people behind these blogs are healthy and thriving.
rynling: (Mog Toast)
( Read more... )

It was a very slow week in terms of writing. Sometimes I guess you just have to take things paragraph by paragraph, or even sentence by sentence.

Meanwhile, I’ve been waiting patiently for the Ocarina of Time remake to come out, and I’ve been distracting myself by playing Hades II. The plot of this game doesn’t make much sense, but the graphics are very shiny and the gameplay is very addictive.
rynling: (Terra)
i'd rather lose $20 every so often rather than have a less vibrant ecosystem of diy queer art
https://bsky.app/profile/tshirt.bsky.social/post/3mxg5sbz2t22p

I don't know who this person is or what they're responding to, but I agree with what they're saying. I'm okay with supporting zine projects that never materialize, and I'm always amazed when they do. It's so easy for something to go wrong on these projects, even if everyone involved is a good person with good intentions.

And, at the same time, I love zine projects that are just a handful of people making a PDF together. Putting the morass of semi-professional platforms like Kindle Unlimited aside, I feel like we're living in a golden age of DIY publications, and I'm having a great time enjoying everyone's art and stories.
rynling: (Default)
Oh no. The liminal space reddit has a horrible cousin: r/TheForgottenDepths

Caves and mines are fun, but I will be happy if I never ever ever go in one.
rynling: (Cool Story Bro)
Today in my class about ghost stories, we're reading Freud's essay "The Uncanny" (here's a PDF) in relation to a discussion of liminal spaces. It's difficult to say what a liminal space actually is, though! So I spent way more time on r/LiminalSpace than I care to admit and came up with eight general categories.

( Read more... )

There's a lot of overlap between categories, and obviously I haven't included any analysis in terms of material conditions and history. Still, what I'm trying to argue is that the aesthetics of liminality are a type of visual ASMR that triggers the visceral response of "uncanniness," and I hope that general argument comes through in the images I share in the slideshow. Basically, when you look at a place that's familiar but also removed from an appropriately identifying context, it can feel disorienting and creepy.
rynling: (Terra)
Here she is with flat colors!

( Read more... )

I'm now noticing several mistakes with her pauldron armor, and I'm also wondering whether the elements of her design that I borrowed from Twilight Princess will be read as such or misunderstood as me messing up the canon design. But I have decided not to care. What's important is: (a) she looks cool, and (b) big sword.

Once again 🙏 please let the shading and rendering go well and 🙏 please grant me the courage to darken the shadows instead of falling back on my usual generic ring-light ambient lighting.
rynling: (Cool Story Bro)
In an essay I recently wrote about Junji Ito's manga "Town of No Roads," part of my conclusion is a paragraph that goes...

The pleasure of a labyrinth is that you can enjoy the sensation of getting lost while always knowing that you can simply leave. Perhaps the same can be said of nostalgia as well, and so much the better. The reactionary mode of thought that insists society used to be better when protections for individual rights and dignity were more limited has unpleasant implications, after all. Perhaps it’s best not to linger in this space for too long.

This makes sense in relation to the story, but what I also mean is that a mode of thought that's essentially like "things were better before Second Wave Feminism and the Civil Rights Movement" steps into the territory of horror. I don't say that part out loud, but a careful reader will probably understand what's going on.

But the editor, who usually replies in less than an hour, hasn't responded to my submission at all. So now I'm wondering, like. Did I fuck up somehow? Was even this guarded reference to (almost laughably centrist) real-world politics too overt? Or, on the contrary, am I not being overt enough?

I just don't know anymore.

ETA: Okay, I'm going to be an adult and write a follow-up email to the editor. I really need to have more self-confidence. It's a good essay!

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