rynling: (Mog Toast)
I’m focusing on An Unfound Door right now, but I still daydream about The Demon King all the time. If you thought I was done with this asshole, you would be incorrect.

Read more... )
rynling: (Default)
This morning I saw a bumper sticker that summarizes the plot of The Demon King in a single sentence:

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Apparently you can buy this as a coffee mug (on Etsy), which doesn't surprise me.
rynling: (Default)
There he is!

Read more... )

I told the artist that his personality is "tired," and I think they pulled it off nicely.

I should have told the artist that he should wear this shirt, but I am tired myself and wasn't thinking.
rynling: (Mog Toast)
Read more... )

Man, New Jersey is a really interesting place. I wish I knew more about it.
rynling: (Terra Branford)
I forgot to add one!

Harriet the Hedge Witch
A series of early reader books about the adventures of a young earth wizard. This lushly illustrated series was created by an artist named Noelia Flores in the early twentieth century, and it's often compared to The Tales of Peter Rabbit and Brambly Hedge. When he was a kid, Ananth read these books so often that he could recite them from memory.

I imagine that, in this alternate universe where magic is real, there are a few significant differences in culture and society. One of these differences is that there's no tension between the United States and Latin America, and people come and go between North America and South America freely. So why wouldn't one of the most beloved series of children's books in America be written by an Argentinian woman?

That being said, I sort of want to write and illustrate the first book in this series myself. I've been doing more research into Beatrix Potter, and jfc that woman is amazing. I'm extremely inspired by her work!
rynling: (Default)
I'm editing the first major flashback chapter in The Demon King. These flashbacks are about Ananth's life in 2020 before the apocalypse happened. The chapter is only four thousand words long (and it's probably going to be much shorter by the time I'm done with it), but it's long enough for me to realize that I need to create a standard set of terms. So I did.

Read more... )
rynling: (Gator Strut)
I'm still thinking about the geography of The Demon King.

New York is destroyed, and Whitespire is somewhere in the vicinity of Elizabeth in New Jersey. The tower where Ananth is hanging out at the beginning of the story is east of Trenton. The "king's highway" that runs south of Whitespire and through the desert is, of course, the NJ Turnpike.

I'm not sure what happened to Philadelphia, btw. It's probably just a hole in the earth.

The Temple of Everlasting Autumn is way out in western Pennsylvania, probably somewhere around State College. I know it's about a three-hour drive from Princeton (which is a suburb of Trenton) to State College, so I'm assuming it would take a week to walk. What Ananth would do is follow the remains of the I-76 to Harrisburg, and then start heading north into the mountains on state highways when he hits the Susquehanna River.

In the original version of the story, I had him going through a tunnel in the mountains via the PA Turnpike, but I decided to cut that bit for the sake of simplification. Also, if Ananth is going to be traveling that far on foot, he's going to need to be younger than I originally imagined him.

Like personally, I like to believe that I'm fairly fit in my late thirties, but if you told me that I needed to walk to Harrisburg to save the world I think I'd probably just make my peace with the inevitable doom of humankind.
rynling: (Ganondorf)
Read more... )

Okay, so here are some things your dungeon needs to be OSHA certified:

- at least one healing spring
- clear indication of the critical path
- ladders that can be safely extended and retracted
- stairs of varying heights for creatures of varying sizes
- clear signage for mechanisms that control the water level
- lava pits that function as break rooms for earth and fire creatures
- an ample supply of extra protective equipment in visibly marked treasure chests
- clearly marked indications for unstable or illusory walls susceptible to blunt force trauma

I will think of other things maybe as I learn more about actual OSHA certification.
rynling: (Gator Strut)
I got back into Elden Ring this week. It would be nice to write an "Adventures of Peaches" series of posts, but I'm not really sure what Peaches is doing. Mainly he's been picking fruit and flowers to craft into raisins to feed to his horse(?) as he explores The Lands Between instead of making progress on Stormveil Castle.

I also got myself back on Patreon in order to listen to the Elden Ring episodes of Bonfireside Chat, a podcast about From Software games. It's intensely detailed and specific, and each episode is more than ninety minutes long, so it probably isn't accessible to anyone who isn't familiar with the games. That being said, the production quality is extremely high, and the two hosts have good chemistry. They remind me of Bert and Ernie from the American version of Sesame Street in how kind and polite and supportive they are to one another. I mean, if Bert and Ernie were hetero and also highly invested in unpacking video game lore.

One of the many reasons I've been depressed for the past two weeks is that I'm frustrated that The Demon King doesn't have as rich of a world or a story as Elden Ring. I guess it's good to remind myself that I am not a studio, and I do not have a staff. Like Peaches, I am just one person doing my best.
rynling: (Silver)
I got in touch with an artist about the Demon King commission. Maybe this is embarrassing to admit, but I labored over that email all weekend. I also spent an actually embarrassingly long time on a sketchy mock-up of the composition, which taught me that what I want is definitely beyond my own skill level... for now. I'm starting to understand where I need to be in order to draw illustrations myself instead of commissioning other artists, but I'm not sure how to get there. Anyway, this is a slightly edited version of how I described the story:

The Demon King is set in a postapocalyptic world filled with monsters. Ceres is queen who needs to be pragmatic and slightly evil in order to keep her kingdom from collapsing, while Ananth is a wizard who wants to recover a relic that will reverse the apocalypse but destroy the kingdom in the process. Ceres manipulates Ananth for political purposes, and Ananth allows Ceres to manipulate him so that he can eventually betray her. The story is essentially about how much people are willing to sacrifice to protect what they love.

Idk, I'm thinking about scraping the comedy elements of this story altogether. No great loss.

The artist said she'd accept the commission but that she currently has a backlog, which is fair. I therefore took the money I budgeted for this commission and used it for (this), a custom bookshelf illustration from (this artist). The theme of the books I asked him to illustrate is "Japanese suspense novels by female writers." If you're curious, these are the titles:

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Idk man, I just love stories. I love art.

Furi

Mar. 15th, 2022 08:58 am
rynling: (Ganondorf)
Furi is a boss-fight-only game that’s like Hyper Light Drifter meets bullet hell. I’ve been playing it on and off in between other things when I have the PS4 hooked up. “Other things” used to be the FFVII Remake, but it’s mainly Elden Ring these days. Furi is super difficult... but it’s not as difficult as Elden Ring lmao.

I think the main draw of Furi is probably its synthwave OST, with My Only Chance being fairly representative. Every track is boss fight music, it’s great.

The story is absolutely banger.

Read more... )

In other words, Furi has all the good shit I’m interested in. It’s also a lot of fun to play. It took me more than two years to git gud, but the payoff was definitely worth it.
rynling: (Terra Branford)
I absolutely love how healthy and *real* the friendship between Geralt and Jaskier feels in the Hexer
https://ruusverd-fandom-blog.tumblr.com/post/618674826549379072/i-think-my-favorite-thing-about-the-hexerthe

Geralt and Jaskier in the Hexer feel like two people who are genuinely best friends. They’re clearly ecstatic to see each other whenever they meet, big smiles, big hugs, but they’re not excessively anxious or mopey when they part ways, just somewhat sad. They’re each functional as individuals, their lives don’t revolve exclusively around each other.

Jaskier doesn’t see Geralt as a legendary hero for him to exploit for inspiration, neither does he treat Geralt like a bumbling idiot who needs Jaskier to manage his life for him. He sees Geralt as a truely good man who has been forced into a difficult, violent life against his will and above all just wants to be normal. Similarly, Geralt openly enjoys and admires Jaskier’s music and poetry and says Jaskier is “wise,” but he neither structures all his actions around Jaskier’s approval nor treats him like a unwanted burden.


While rewriting The Demon King, I realized that the friendship between Ananth and Marlowe needs to be strong from the beginning. It will become more real the more they interact with one another, but it needs to be clear from the onset that they actually like each other.

I haven't read the Witcher novels. I hear they're good, though.
rynling: (Default)
Are they discussing murder or porn? You decide!

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It's always a pleasure to work with Frankiesbugs. I was like, Hey are you familiar with the webcomic Oglaf, and they were like, What an absolute question, of course I am.
rynling: (Mog Toast)
lord of the rings is wholeheartedly earnest in its dedication to portraying hope and love and faith and loyalty and courage, and that is what makes it feel like home to so many of us. it’s true to itself. it doesn’t pretend to be cool and care less. it cares, a lot, and that is a rare, beautiful thing.

https://southfarthing.tumblr.com/post/671057084479143936/caffeineheroes-tolkien-knew-we-wouldve-all

This is another wholesome Tolkien post. I don't think sincerity is actually all that rare (Stephen King, for example, is full-on tits-out sincere on every page), but I understand the appeal and transformative potential of happy endings.

In my last post, I mentioned being twenty years old and dating another twenty-year-old who was physically and verbally abusive. That relationship was complicated, and we were both kids. I hope that, as an adult, he's happy and healthy and living his best life. Still, he used to love Lord of the Rings, and the message he took away from it is that things that didn't fit into his worldview were "evil" and thus undeserving of understanding or compassion. I don't think that message is necessarily in the books, in which "difference" is treated with much more nuance, but it's definitely in the Peter Jackson movies.

The Demon King is not sincere, mainly because all of the characters are grown adults who somehow have to live with themselves and the shitty decisions they've made. Still, I want the ending to be happy, and I want it to be happy for everyone. There is no "you've done this one bad thing, and now you're evil and inhuman forever." I want people do the right thing when it's important, and for love to win in the end. After all, what good is time travel if you can't exploit it to get the best ending?
rynling: (Mog Toast)
I now have the plot of The Demon King outlined. Even if it’s as short as it can possibly be, it will still be at least 60k words long, which is a respectable length for a first novel. I’ve broken the story into manageable narrative chunks, so hopefully the new outline should be ADHD-proof. On top of that, I cut all the parts I haven’t been fantasizing about writing for the past year.

Writing a graphic novel version might be a stretch, though. I’ll table that idea for now.

What might be a more actionable idea is writing a graphic novel version of An Unfound Door, which can probably be finished in a single volume of around 180 pages. Maybe I’ll do a scene-by-scene outline of that one next and see how I feel about it. If nothing else, I can definitely write a script for a five-page opening scene.

Or I can wait a bit. Give the story and characters time to develop in my mind. Work on other projects.

Social media gives a false impression that everyone is always generating “content” all the time. And maybe some people really are like that. Most of the artists and writers I admire are not.

I’ve started to get to the point in visual art where I can understand what makes the pieces I like stand out. And that’s cool. At the same time, I’m only now getting to the point where I can draw super basic stuff with something that’s starting to approach ease and accuracy. It’s good to remind myself that I can take a year to work on solidifying “ease and accuracy” before I start reaching for something higher, both in art and in writing.
rynling: (Cool Story Bro)
But what if I did write a graphic novel?

This is what would need to happen:

Read more... )

Even if I don’t end up pursuing a graphic novel, this is still a good strategy for managing the writing project.
rynling: (Terra Branford)
I just love them so much.



It would be really fun to write a Demon King graphic novel, but like. How do I put this.

I am nothing and no one, and I'm also really shy and get burned out easily by social media. I would love to work with an artist on a longer project, but I would also hate to be the person the artist has to work with, if that makes sense. I don't want to inflict myself on anyone.

There's also the question of funding, which is complicated, and I'm deathly afraid of making an artist feel like I'm taking advantage of them.

But still. It would be really fun to write a Demon King graphic novel.
rynling: (Default)
Also, I figured out the "ancient magical relic" that Ananth is looking for.

It's a smartphone lmao.

In this universe, magic can be transferred and stored in physical objects. This isn't common, as such magic tends to degrade quickly if it's not maintained. What makes this smartphone special is that it was present at the site of the apocalypse. The person who precipitated the event, the goddess known as "The Weaver" (actual name Josie Harris), attempted to mitigate the situation by containing some of the energy in the closest object she had on hand, which happened to be her smartphone.

I'm going to have to come up with a different brand name, but it's a Samsung Galaxy S7, which is shaped like a perfect black bar about the size of a human hand. I guess that puts the apocalypse in 2020, which seems appropriate.

I was thinking that the relic would be symbolic in some way, but no. It's just a smartphone. I find the mundanity satisfying for some reason, so let's roll with it.
rynling: (Default)
I realized that I’d actually really like to keep writing The Demon King, but with some changes.

First, I’m going to scrap the Balthazar / Melchoir / Gasper names. People in the story will still think Ananth (Balthazar) is some sort of terrible demon king name because of the horrible things he did in the past, but that will just be his actual name. Marlowe (Melchoir) is a good wizard name on its own, and I think the name Mei Lin (for Gasper) is super cute, especially for a giant orc with a giant axe. Also, not using fantasy names is as good of an indication as any that this story takes place in New Jersey.

Second, Ceres is going to be a queen from the beginning. If you kill your mother in cold blood, you get to be queen. I don’t make the rules, I just respect them. Like I respect Ceres. Who is a queen.
rynling: (Terra Branford)
I'm working on a different original novel at the moment, but I have not forgotten about The Demon King. I wish I could quit these characters, but it appears I am addicted to garbage.

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