rynling: (Gators)
Oh! I forgot to mention:

The Comics Beat, which I now write for, just got its first ever Eisner Award nomination.

For my work at WWAC, I'm (technically) already an Eisner-winning comics writer, and now I (technically) might win it again. Nice!

Also, this past week there a huge social media crashout about Lee Lai's graphic novel Stone Fruit being mediocre and getting undue attention solely because of white guilt. Because my review of the book appears at the top of a Google search, I got a bunch of nasty mentions. I was busy disappearing into the woods, and I totally missed all of this. So much the better honestly.

Disappearing into the woods is great btw. Highly recommended.
rynling: (Cool Story Bro)
Quillbot AI Detector
https://quillbot.com/ai-content-detector

I've found that AI detectors tend to be hit or miss, but this one seems to work well. What I especially appreciate about the way it works is that it's able to detect text that was generated by AI and then altered, either by hand or by another AI program.

I learned about this through discourse in the Dragon Age fandom, by the way. Apparently, you can now enter a short prompt into Gemini with the name of a character or ship, and the AI can match this keyword not only with the fandom, but also with its specific writing tropes.

If you're curious about the wank, people have been arguing about whether it's possible to write a 400k-word novel in a month. What this ridiculous argument underlines is the fact that there is a substantial (and passionate) audience for novels written by AI. This is dystopian, and I hate it.
rynling: (Ganondorf)
Scandal Rocks Publishing as Debut Author Is Linked To Fake Goodread Accounts That Review Bombed Peers
https://www.themarysue.com/cait-corrain-goodreads-controversy-explained/

What’s particularly baffling and infuriating here is that Corrain seemed set up for a successful debut prior to the review bombing and deflection coming to light. Crown of Starlight had a strong marketing push behind it and a lot of buzz and positive reviews for early ARCs. Corrain has a two-book deal, the May Illumicrate pick, and by all accounts was headed toward success.

Holy shit. This is horrifying.

I think this is what happened: A debut author who had a large following from the Reylo fandom was in a Slack group with other SFF authors whose novels were also set to debut in 2024. They created "more than nine" sock puppet accounts to leave one-star reviews of the other authors' work on Goodreads. It seems that they specifically went out of their way to target women of color.

Thankfully, the author has been dropped by their agent, their publisher, and various promotional organizations, all of whom made social media announcements this afternoon. Still, the writers targeted by this author had known what was going on for months (since February), and they were told by professionals in the publishing industry to keep their heads down and not say anything. Jesus Christ. What the fuck.

What's so scary to me is that, as mentioned in the passage I excerpted, this author had everything going for them. Why would they do something like this? And, if more than a dozen people hadn't made a concentrated effort to call them out, they would have gotten away with it.
rynling: (Ganondorf)
This post contains a link to a tweet with a brief bit of context. I want to put a strong content warning for online harassment, as well as a description of a serious medical condition.

Read more... )

In conclusion, my dream fix for Twitter would be to require everyone who signs up for the site to be at least 18 years old. I don't think 15-year-old children should have the power to ruin someone's life like this, and I also don't think a 15-year-old child should have the capacity to set themself up as the target of backlash harassment.

On a more personal note, this is why I'm afraid to write or publish anything remotely resembling YA fiction. It's terrifying to think that a teenage Twitter user having a bad day could destroy your entire professional career by claiming that you're "fetishizing" an aspect of your own identity.
rynling: (Ganondorf)
The cohosts of The Rec Center replied to my email.

They said that, while they were well aware of the antisemitic tropes used in the artwork they shared, they had no plans to address this matter or share any alternate artwork in future newsletters.

Obviously they didn't apologize.

I mean. They could totally be heroes by mentioning this super on-trend topic in a single line of text. But you have to think, like, are the woke points really worth the cringe of uplifting any Jews or Muslims who might be in your audience? Clearly not amirite.

I think what I was expecting was for them to be like, "That's really cool, thanks for letting us know! We'll drop a line in the next newsletter." I guess the joke's on me for being such a clown in the first place. 🙃
rynling: (Ganondorf)
Must-know for Japanese fandom: the meaning of "proship" and the concept of "proshippers" in Western fandom
https://note.com/orangiah/n/n437e262ce2ce

I've been in my current fandom for almost one year ― I've seen artists who have quit drawing due to harassment for being proshippers, and I know several people who are currently still being harassed. This is not only a problem for fandoms of foreign media ― now that Japanese anime and games are so commonly consumed abroad, it can easily happen to anyone at any time. To antis, it doesn't matter if you are a Japanese person enjoying a Japanese work.

This is a translation of a short essay written by a Japanese artist who draws cute fan art of the video game Omori. It's a good, short, and interesting read that accurately outlines the process of getting harassed in fandom, as well as what to do about it. Essentially: don't engage, and block antis on sight.

In terms of how the harassment happens, it works like this: A concern troll will DM you, saying that you're following the wrong person, or that you used the wrong ship tag, or that you aren't using the right words in your bio. You, sweet summer child that you are, will have a conversation with them. At the end of the conversation, you will block them, but they will already have all the screenshots they need to accuse you of whatever they want. Because you've blocked them, you won't see how they're using these screenshots, and then suddenly you're being harassed by waves of people who seem to be coming out of nowhere.

It's horrifying, and I hate that this is happening to Japanese artists too.
rynling: (Gator Strut)
Yesterday evening I experienced a brief bout of harassment on Twitter. Maybe this might be interesting to talk about, so I'm including a few screenshots with commentary under the cut.

Read more... )

Unreality

Nov. 28th, 2022 01:37 pm
rynling: (Mog Toast)
I think this has died down over the past week, but a recent trend on Tumblr has been to create movie posters and fan art for Goncharov, a film noir crime thriller that doesn’t exist. The concept is vaguely this: a heist where everyone is beautiful and dangerous and gay.

Read more... )

It’s been really nice to see a beautiful outpouring of art on Tumblr since people returned to the site after the Twitter debacle, but I also get the distinct sense that a finger has curled on a monkey’s paw somewhere.
rynling: (Gator Strut)
This webcomic made it okay to be sad online. Then its artist vanished.
https://www.inputmag.com/culture/pictures-for-sad-children-webcomic-simone-veil-interview

Each of the aggrieved commenters seemed to find personal injury in Veil’s actions. Like, because she took their money, she owed them something — not just a copy of a book, but something more. A piece of her life. Through the whole post, it was clear Veil was fundamentally uncomfortable with the idea of owing people answers. She wanted to make art.

People online who make art ask for money. She asked for money. And she seemed to be realizing just how toxic that transaction could be.


This is a longread about a popular webcomic artist who used Kickstarter to publish a book of her comics and then disappeared after posting a series of updates that mocked her fans for supporting her.

The article asks the reader to sympathize with the artist, but a bunch of people from the same generation of webcomic creators have responded with testimony about how unhinged she was, like so: https://twitter.com/jephjacques/status/1463145631443263490

This was all a bit before my time, but I remember how people went after Tess Stone for years after his webcomic Hanna Is Not A Boy's Name stopped updating. Which is absurd, because Tess Stone was just some kid posting a comic on Tumblr in 2011. He's currently pursuing a successful career as a professional artist, which I understand is easier to do when you're not a twenty-year-old student trying to negotiate a publishing contract while going through a gender transition.

Given the sort of absurdist fandom drama surrounding Tess Stone, it's difficult to say what was actually going on with Simone Veil, but I feel like the pressures of being a young artist with a large and opinionated fanbase are probably enough to make even the best of us crack under pressure.
rynling: (Gator Strut)
Speaking of the "zines should be indie and subversive" conversation, this tweet just blew up...

https://twitter.com/rogvaettr/status/1465335292035010566

Since there's no reason to have something like this in your algorithm, I'm going to quote the tweet here:

Just saw someone talk about a zine with a 'do not apply if you've ever created NSFW art' rule, and I want you to know that you people have completely appropriated and pissed on what zines are supposed to be, which is 1000% subversive, transformative, makes-society-flinch shit.

I know from inside information (that came to me in a very roundabout way via the con programming server of an anime convention) that what actually happened was this: An artist applied with a portfolio comprised entirely of explicit cp. I saw some of the images, which are beyond debate and extremely disturbing. When it became clear that some of the artist's friends were planning on sending similar portfolios, the mods made an announcement that they wouldn't be considering portfolios that included nsfw material. Which is fair, I think.

Anyway, I think people are forgetting that oldschool punk zines were and continue to be extremely exclusive. In fact, a lot of famous punk and ska songs from the 1990s are complaints about people being excluded from the scene because they're "not punk enough." Speaking from personal experience, just last year the South Street Art Mart in Philadelphia declined to stock my "transformative, makes-society-flinch" queer horror zines for basically the same reason. (Heaven forbid your zine covers are printed with full bleed lol.)

My own view of the matter is that, if you run a zine, you can include or exclude anyone you want. Like, it's your zine. If someone doesn't like it they can make their own zine. Anyone can make a zine. That's what's so nice about the medium honestly.
rynling: (Cool Story Bro)
Idk, so much of fandom discourse seems very silly when you take a few steps back.

Like, I'm not a "proshipper" or "pro-sh1p" or whatever. I don't think it's fun to argue on Twitter. I'm too old for that nonsense. I'm just a normal person who thinks it's a bad idea to send death threats to strangers on the internet. It's not that deep.
rynling: (Cool Story Bro)
I've been lazy about this recently, but for years I posted and reblogged things on Tumblr at regularly scheduled intervals throughout the day. My account on Tumblr exists so that I can scroll through the front page of my own blog when I'm bored or stressed out. My main criteria for what I reblog when is therefore the creation of eye-pleasing color coordination on the vertically-scrolling column, but there are some loose themes. No Ganondorf before 9:00pm, for example.

Because people are petty and awful, I would generally lose one or two followers almost every time I reblogged art that wasn't 100% professional and polished. Around 3:00pm EST was (and probably still is) a general deadzone on Tumblr, so I took advantage of that to reblog the work of emerging artists with supportive comments in the tags.

Read more... )

So this is why I try not to interact with the posts of anyone who has an "immature" art style. I also don't know how old anyone is on AO3, which is one of the main reasons I started to move away from that site as well.

I just needed to get that off my chest so I can get over it and move on, because damn this nonsense has been living in my head rent-free for the past five years.
rynling: (Cool Story Bro)
I had to block someone on Twitter last night.

I watched the trailer for Final Fantasy XVI and liked it. I liked it a lot, actually.

Read more... )

It's really insulting that someone would look at all the amazing and important work done by female and queer creators in the gaming industry, as well as all the powerful representation in both triple-A games and indie titles, and say, essentially, "That's not good enough because it does not interest me personally."

Like, I'm sorry that you feel the only place you can go for representation is a four-minute promo trailer of a game that more than likely won't be released before 2023.

But I couldn't say all of this in a Tweet, so I just blocked this person. If nothing else, it's super rude to invade someone's space for the sole purpose of engaging in performative wokeness.

That being said, the Harry Potter game can go fuck itself.
rynling: (Gator Strut)
On "Fandom Moms"
https://out-there-on-the-maroon.tumblr.com/post/620585756682027009/fandom-mom-used-to-a-jokey-affectionate-term-for

I can finally afford to attend conventions regularly, pay amazing artists for great work, delve into more detailed media analysis, appreciate symbolism and homages I didn’t understand as a teen... and I should give that all up now? Because I have a job that makes me cry from stress, do my own taxes, and should be Looking For A Husband Now?

Oh gosh yes. Wow.

For me, as a queer nonbinary person, I was really only able to do things that made me happy once I had a stable source of income. I got kicked out of high school and then kicked out of home for being gay a few months after I turned sixteen, and the following twelve or thirteen years were a constant struggle just to survive. I couldn't watch television or play video games because I had to work all the time to pay rent while putting myself through grad school on a fellowship that was generous but not quite enough to live on. If I had time to "have fun," it was time I needed to spend networking by attending various parties and other social events. I couldn't afford to go to conventions, and I certainly didn't have energy to devote to developing my skills at creative writing and visual art.

I was 27 or 28 before I had enough breathing room to even think about doing something that wasn't work, and getting involved in fandom felt (at the time) like one of the best things that had ever happened to me, not in the least because I didn't have to pretend to be a serious adult.

So when I was accused of being a creepy older person (when I was 32, which I maintain isn't actually that old, not that it matters) for existing in a fandom space that was shared by people of various ages, it precipitated an incredible jolt of anxiety, like, what if it actually is Too Late for me to enjoy myself and follow my dreams? I had been getting this message from various places for my entire life - even when I was in college! - and it was a serious blow to suddenly start getting it from a previously supportive fandom community as well.

Also:

I don’t care if you’re also trans, “I only gender you appropriately if I like you” is still misgendering and transphobic.

I've also experienced this. I've conscientiously not disclosed my gender and used they/them pronouns since I got on Tumblr, but I've noticed that people won't hesitate to use female designations if they decide they don't like me.

I'm so relieved that this culture is fading... or has at least moved to some terrible far corner of Twitter.
rynling: (Default)
A Feud in Wolf-Kink Erotica Raises a Deep Legal Question
https://www.nytimes.com/2020/05/23/business/omegaverse-erotica-copyright.html

As the rise of self-publishing has produced a flood of digital content, authors frequently use copyright notices to squash their competition. During a public hearing hosted by the U.S. Copyright Office in 2016, Stephen Worth, Amazon’s associate general counsel, said that fraudulent copyright complaints by authors accounted for “more than half of the takedown notices” the company receives. “We need to fix the problem of notices that are used improperly to attack others’ works maliciously,” he said.

In the Omegaverse case, Ms. Cain’s claim of copyright infringement against Ms. Ellis has struck some as especially tenuous. “They are not very original, either one of them,” said Kristina Busse, the author of “Framing Fan Fiction,” who has written academic essays about the Omegaverse and submitted expert witness testimony for the case on Ms. Ellis’s behalf. “They both stole from fandom or existing tropes in the wild.”

This article is a wild ride, and I enjoyed every stop along the way.

You can bypass the site's paywall by opening the link in an incognito browser window, by the way. It feels weird to have to attach that sort of "how-to-access" information for a nationally syndicated newspaper, but I guess it's appropriate for an article about commercial fanfic writers suing each other over their novel-length Omegaverse stories.

As an aside, Anne Jamison covers a lot of similar drama regarding Twilight fanfic authors going pro in her (excellent) 2013 book Fic: Why Fanfiction Is Taking Over the World. There is nothing new under the sun, and what's under this particular sun is people taking their vampire and werewolf erotica way too seriously.

Anyway, the article's opening sentence?

Addison Cain was living in Kyoto, volunteering at a shrine and studying indigenous Japanese religion. She was supposed to be working on a scholarly book about her research, but started writing intensely erotic Batman fan fiction instead.

Relatable.
rynling: (Ganondorf)


I'm not going to link to this post, but I want to preserve it. Since the conventional wisdom is "don't feed the trolls," it's rare that anyone has the courage to be frank about online harassment.

What I've personally experienced was nowhere near this level, but I don't think Corseque is rounding up these numbers. When people talk about online harassment, they're not talking about one random asshole sending a mean anonymous message. Rather, once people start to dogpile you on social media, dealing with it becomes your entire life until that particular group gets bored and moves on.

I should probably mention that I'm a huge fan of this writer and artist. I don't care about Star Wars, and I don't know anything about Dragon Age, but I always enjoy reading Corseque's essays. In fact, my real and honest goal as a writer is to create the sort of story that Corseque would appreciate and write meta about.

Moving On

Feb. 17th, 2020 08:27 am
rynling: (Mog Toast)
During the summer of 2016 and the fall of 2017, I made a number of posts about some of the weird experiences I was having with Tumblr-based fandoms. I've been involved with one fandom or another on and off since around 2008, but I had never seen anything like what I encountered during the months preceding and following the 2016 American presidential election. Because I was not only witness to but the target of harassment (and because my job was extremely emotionally draining), I was hurt and confused, and my main purpose in writing these posts was to process what I was going through.

I made these posts public not out of any desire to create documentation, as I didn’t think anyone would read them; rather, the act of writing itself was cathartic. There was an element of venting, of course, and also a sense of validation in giving my voice a place to exist in the world. This was important to me at the time precisely because I was so upset, and I was doing everything I could to keep myself emotionally stable during a extended period of intense distress.

I don’t regret what I wrote, because the harassment I witnessed and experienced was hateful and unnecessary. Still, I’m not the same person I used to be, and I’d like to think that the other people involved in the conflicts I wrote about have moved on as well. These posts have already served their purpose for me, and they’re not benefiting anyone else.

I therefore decided to restrict a number of my posts about my experiences with fandom to mutuals. It’s not that I’m deleting receipts, as the posts still exist, but rather that I’d like to put those episodes behind me. If this journal is still here ten years from now, I would want to look back on it and not have to revisit the unpleasantness of what was, by all accounts, a strange twelve-month period in many Tumblr-based fandoms, not to mention the broader culture of online communities.

I don’t want to discredit the value of what I gained from these experiences, especially since I ended up learning lessons about interpersonal relationships and productive communication the hard way. I tried to address some of this in my previous post about dealing with fandom harassment. Again, it doesn’t make any sense for me to apologize for getting upset about things that were genuinely upsetting, but I really wish I had been able to deal with them in a more productive way.

I think that, because I was hurt, I ended up inadvertently exacerbating toxic situations and, in the process, hurting people who didn’t deserve it. I wish I had been able to handle those situations differently, and I wish I hadn’t been so sensitive about stupid nonsense that could have been avoided.
rynling: (Gator Strut)
- If someone sends you one or more messages saying that they will hurt you or encouraging you to hurt yourself, do not respond in any way. Screencap the messages, report the person, and then block them. Anyone who resorts to this type of harassment isn’t interested in communication, and any action you take to publicly address this behavior will be used as ammunition against you. It can be frustrating to allow this person (or group of people) to influence your behavior, but the best course of action is to remove yourself from the conflict by whatever means necessary, which may include switching platforms or temporarily going silent.

- If someone watches this happening to you and decides to remain friendly with the person (or people) who are engaging in this behavior, they are not your friend. It is in your best interests to minimize engagement with anyone who encourages or tolerates harassment, so unfollow or block them as necessary, and don’t respond to them if they immediately contact you to ask what happened. If someone who inadvertently becomes involved in a conflict really is your friend, they will find a way to make this clear, but you have to give yourself a sense of distance from the situation and then allow them to take the first step toward repairing the friendship.

- It’s important to recognize that losing a friend hurts, as does losing a community. Take your grief seriously, and give yourself time to be angry, mourn your loss, and recover.

- There is no value in wondering what you did to deserve harassment or whether you deserve it. If someone has sent you messages encouraging harm against you, there could be any number of reasons (from that person’s mental illness to the general culture of that particular platform), but those reasons have nothing to do with you.

To summarize: Privately document and report harassment but do not publicly acknowledge it in any way. Do not engage with the conflict and step away from the fandom or platform if necessary. The only thing that will extinguish the fire is a lack of fuel, and there’s no need to get burned in the process.
rynling: (Ganondorf)
(1) The False Equivalency of Representation

Even if a fanfic has hundreds of thousands of views and thousands of kudos, it is never going to achieve the same level of cultural impact as big-budget mainstream media. No matter how much wholesome fic you write about Finn, it is not going to be the same as John Boyega’s face on every movie screen everywhere in the world.

(2) The False Equivalency of “They’re Just Fictional Characters”

Because “positive representation” isn’t really a valid concern with fanwork (although, in a collective sense, it absolutely can be, but that’s a different conversation), it doesn’t matter whether your fic or art is about Naruto kissing Sakura or Naruto kissing Sasuke. In fact, those three names are probably nothing more than nonsense words to 99.999% of people on this earth. It also doesn’t matter if you, as some rando on the internet, get off (for whatever reason) on the idea of Sasuke forcing himself on Naruto, Sakura, or both at the same time. They’re just fictional characters, and it does not matter to the broader culture. What does matter is if systemic structures of inequality and discrimination are uncritically reproduced in the fictional texts embraced by fandom without commentary. It’s therefore a false equivalency to put “I don’t like this m/m ship” on the same level of critique as “I don’t like how the source text marginalizes female characters.”

(3) The False Equivalency of GO OUTSIDE

Saying “I don’t like a particular m/m ship” is not only fine, it’s par for the course in fandom. Saying “I don’t like how the source text marginalizes female characters” is also fine, and we could probably use more of that sort of thing in fandom, to be honest. Someone writing about the details of their disappointment regarding a work of fiction is also fine. It’s okay to not like things! What is not okay is sending death and rape threats, accusing people of pedophilia, finding someone’s personal information and threatening to contact their family or employer, and doing things like creating a [username]gokillyourself account on AO3 in order to leave comments containing concrete instructions on how to commit suicide. It is a very clear false equivalency to suggest that expressing a negative opinion about a fictional character is “just as bad” as harassing an actual human being.

GO OUTSIDE

Jan. 15th, 2019 10:16 am
rynling: (Gator Strut)
This past August I discovered a Tumblr blog called Free To Fanfic after someone reblogged a viral post making fun of the author. Basically, some immature assclown had taken a screencap of her "How to Deal with Fandom Antis" FAQ page and captioned it with "GO OUTSIDE," the joke being that anyone who cares that much about online fan cultures should probably get a life. I remember seeing that post and being like, "WHERE'S THE LINK OP."

My main motivation for trying to process the weirdness I've experienced on Tumblr has been an attempt to figure out some sort of pattern. Like, why were all of these randos sending hatemail to a Zelda blog that does nothing but reblog cute fanart five times a day and occasionally post silly fandom shitposts over the weekend? If it were just one or two people, I'd assume that they were going through a rough patch in their lives and taking their anger out on a safe target, but the problem was pervasive. To give a specific example that requires no context or explanation, I got about two dozen scary messages accusing me of "animal abuse" for posting a commissioned marker drawing of Wind Waker Ganondorf holding a pig. What exactly was going on there? Like, this is definitely something bigger than me and my stupid blog.

I put up with this sort of thing for years, but my breaking point was being called a pedophile. I had seen posts like "Don't interact with me if you're a pedophile!" circulating within the Zelda fandom since around April 2018, and I innocently assumed that some drama had gone down on a ship tag. When I started to get hatemail calling me a pedophile for being a fan of Ganondorf, though, I was like, "...but that doesn't even make sense."

Because I had been staying in my lane and doing nothing more than reblogging cute fan art within the Zelda fandom, I had no idea that "pedophile" had become a codeword on Tumblr for "someone who likes a character or ship I don't like." The logistical maneuvering necessary to get from "thinks an older adult fictional character is attractive" to "is therefore a pedophile" was beyond me, and the situation got even stranger when people in my own small subfandom began to use that sort of hyperbolic language.

Discovering the Free To Fanfic blog was a godsend. What the person writing this blog has managed to do is to connect the threads of the various types of bullying masquerading as "social justice" on Tumblr. I hadn't been able to do this myself because most of the sources of this bullying lay in other fandoms (the Voltron fandom seems to be one of the primary sites). When the person behind Free To Fanfic put everything together, however, it suddenly made sense. For example, why was I randomly getting so much hatemail from femslash blogs and "Lesbian [Character Name]" blogs? Perhaps because exclusionary radical feminists have a long history of using the language of social justice to attack marginalized groups and people who are queer in "the wrong way," thus using ingrained prejudice to recruit people by making their own message seem more righteous. There's a lot going on here, obviously, but the Free To Fanfic blog explains it better than I ever could.

In any case, what bothers me about the trend of casually throwing around accusations of "pedophilia" is that there really are creepy people (like RationalWiki Editors) online, and creating a community in which a "pedophile" is "someone who likes a problematic ship" runs counter to the legitimately worthwhile goal of helping the younger (and not-so-young) members of the community recognize the warning signs of these creeps.

...and honestly, I can't help but wonder if some of the "fandom moms" who claim to be "protecting the children" aren't in fact borderline creeps themselves, especially in their acknowledgement of knowing the exact ages of the "children" for whom they're drawing and writing porn. I mean, it's a lot creepier for an adult to create smut custom-tailored to the interests of someone they know is fifteen than it is for an adult to reblog, like, a picture of sexy Ganondorf petting a cat or something. I'm just saying.

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