rynling: (Default)
Hayao Miyazaki teaches Hideaki Anno how to say "Arigato"
https://www.dailymotion.com/video/x5wha4e

No comment, just: I love them both so much.
rynling: (Gator Strut)
The Tunnel to Summer, the Exit of Goodbyes
https://www.tunneltosummer.com/

The Tunnel to Summer is a romantic drama anime movie about teenagers based on a light novel. The animation is decent, but the writing isn't great. I'm going to spoil the story.

Read more... )

I have trouble imagining who the audience for this movie is. I mean, not me obviously, but it seems like a weird movie to watch on a date. After the movie, does one partner turn to the other and say, "Would you commit to becoming an adult virgin in order to wait for me if I suddenly disappeared without saying anything?" Because that seems like an extremely creepy thing to say.

Sometimes I'm surprised by lesser-known anime movies, but they can't all be winners.
rynling: (Terra Branford)
Blue Thermal (available to watch on YouTube here) is a lighthearted sports anime movie about a college aviation club. The protagonist, Tamaki, is a ditzy freshman who means well but lacks self-confidence. She’s scouted by the mature and handsome aviation club leader Kuramochi, who’s impressed by her preternatural skill at piloting a glider.

Read more... )

In the end, Blue Thermal is a pleasant way to pass an hour and a half. Not much happens, but that’s okay. The animation is lovely, and not every story has to be exciting or profound.
rynling: (Mog Toast)
Pompo The Cinéphile (available on YouTube here) is an anime movie about an aspiring director who makes a debut movie that is exactly 90 minutes long.

Pompo The Cinéphile is set in Nyallywood. The main characters are drawn with a cute anime style, while the supporting cast is drawn in a more realistic style. This necessitates a moderate level of suspension of disbelief. For example, the genius film producer "Pompo" is actually named Joel Davidovich, and why he?/she? is stylized as a cute anime girl is just something you're going to have to roll with. Meanwhile, the aspiring director Gene Fini uses some of the most overtly Japanese body language I've ever seen in an anime, even though he (and everyone else in the movie) is supposed to be American. This is also not something you should worry about.

I have to be honest and admit that the first and last ten minutes are rough. In the first ten minutes, we follow the genius producer Pompo as she works on the set of a summer monster movie, and there are a lot of tits, ass, and panty shots played for laughs. In the last ten minutes, a few characters give earnest and impassioned anime-boy speeches while nondiegetic pop music plays in the background, and this was so cringe that I had to mute the sound while reading the subtitles at 2x speed. Thankfully, everything in between is relatively chill and interesting.

If you don't think about anything too hard, Pompo The Cinéphile is a really fun movie. It reminds me a lot of the Satoshi Kon movie Paprika, in that it's very meta and very stylish and very beautifully animated. Unlike Paprika, Pompo The Cinéphile is a comedy. I'm not sure that kids are the target audience, but there's zero murder and no sexuality (aside from the childish jokes at the beginning). Also, Pompo The Cinéphile is 100% correct about 90 minutes being the perfect length for a movie, and it's exactly 90 minutes long itself. Bless.
rynling: (Default)
Goodbye, Don Glees! (available on YouTube) is a 2022 big-budget anime movie directed by Atsuko Ishizuka, a female animator and storyboard artist who has worked with Madhouse for almost twenty years. The movie is supposed to be a bittersweet comedy about three high-school kids going on a short mountain adventure over summer break, but the tone is weird.

Read more... )

I’m going to say that Goodbye, Don Glees! is a solid 5/10 movie. It’s not offensive, but it’s not particularly memorable. For me personally, I’d give it a pass in favor of The House of the Lost on the Cape (available on YouTube here), another anime movie with similar themes that came out at around the same time and is actually fun to watch.
rynling: (Gator Strut)
Yesterday evening I experienced a brief bout of harassment on Twitter. Maybe this might be interesting to talk about, so I'm including a few screenshots with commentary under the cut.

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rynling: (Cool Story Bro)
I’ve been enjoying listening to the Dark Souls podcast (this one right here), as the two hosts share my taste in horror and humor. They’re also respectful of real-world differences both in terms of how they talk about stories and how they treat actual people, which I appreciate. Just because you make dick jokes doesn’t mean you have to be gross.

I find the banter between the hosts and their guests to be a lot of fun and super relaxing to listen to when I’m working in Photoshop, and I also like learning about the stories of Dark Souls and Elden Ring, both of which cater to my niche interests but are unfortunately too difficult for me to play. (I mean, I’m trying! I’m just very bad and very slow.)

Anyway, I skipped ahead in the podcast to listen to their episode about the manga Berserk (here), and one of the hosts said something interesting about horror and how it works.

Content warning for discussion of Berserk, both spoilers and sexual violence.  )
rynling: (Terra Branford)
Josee, the Tiger, and the Fish is a feature-length anime movie from 2020 about the relationship between two kids in their early twenties living in the suburbs of Osaka, with the twist being that the girl is in a wheelchair. The first forty minutes are very chill and lovely and completely drama-free; but, when the drama finally happens, oh boy does it ever happen. The story has a happy ending, because of course it does, but it's a journey to get there. The art and animation are beautiful, and the narrative pacing is perfect.

Read more... )

Also I love the girl's salty grandmother. What a legend.
rynling: (Default)
The Real History of 'Perfect Blue' and 'Requiem for a Dream'
https://animationobsessive.substack.com/p/the-real-history-of-perfect-blue?s=r

In the end, the real question we need to ask is much bigger than Aronofsky. It’s even bigger than Kon. The question is, “Is it right for Western directors to use anime as an idea factory, without paying its overworked creators a dime?”

Kon bled for his films. He storyboarded every moment in detail, obsessively, and still never saw success in his lifetime (he died in 2010, around a week before the premiere of Black Swan). It stung him to see his concepts treated as the rough drafts for other people’s films. He battled to create those concepts, until the end.


This is such a good essay, even if you haven't seen Requiem for a Dream (which I haven't) or Perfect Blue (which admittedly isn't for everyone). Honestly, this is a good essay even if you're not into anime. Sometimes an essay is so well-crafted and well-researched that it has value simply as an interesting piece of writing.

I do love Satoshi Kon though. God I love Satoshi Kon. It's wild to think that Tokyo Godfathers almost didn't get made.
rynling: (Terra Branford)
It's been a few years, so I started watching Puella Magi Madoka Magica again.

My husband said he wanted to watch it with me, and I was like, "I don't think this one is for you king," but it's not like I could tell him to go away.

Sure enough, he stood up and walked out of the room during the third episode.

After ten years, Madoka Magica basically only exists as a meme, and I've even heard people say that it's not actually a good show, but I think it's important to remember how hard it hits if you're not expecting it. The same thing goes for Revolutionary Girl Utena. People are like, "It's about swords and flowers and lesbians," and it definitely is, but also, almost every single episode is deeply "problematic." Which is precisely why it speaks to people so intimately, I think.

ODDTAXI

Feb. 15th, 2022 07:30 am
rynling: (Cool Story Bro)
I finished watching ODDTAXI last night. Because I'm not super into crime drama, it was never going to be one of those anime that fucking changed me holy fuck, but it's still a solid 9/10 show with interesting art and excellent writing and voice acting.

About halfway through, around Episode 7, you start to get a sense of why everyone looks like an animal. I don't want to spoil it, except to say that there are no actual elements of fantasy or science fiction. The twist is something that could only be done with animation, and it's brilliant.

I think the closest comparable show is probably the first season of Durarara, which also has an urban ensemble cast who all turn out to be connected at the end. In addition, both shows are oddly heartwarming despite being filled with child trafficking and murder.

All of the ODDTAXI characters appear as human during the final episode, and it's really cool. I think getting to see what nonhuman characters look like as human might be one of my favorite visual tropes. The story game Mutazione handles this in an interesting and memorable way too. If I had to be honest, I think this is one of the appeals of Ganon for me as well, that he's secretly human (and also attractive). Fingers crossed that Breath of the Wild 2 does as good of a job with its villain-monster's human form as a one-season anime about a middle-aged taxi driver.
rynling: (Terra Branford)
I thought I was done with anime. I cancelled my subscriptions to all streaming services months ago. But the other day I went to a ramen restaurant in New Jersey, and they had The Aquatope on White Sand playing on an overhead television. I really liked the art style, so I went home and watched the first episode. And now I'm back into anime, apparently.

The Aquatope on White Sand is about two lesbians working at an aquarium in Okinawa. (And they're roommates!) There's a bit of drama with the aquarium being on the verge of having to shut down, but everyone works hard and uses their respective talents to the best of their abilities. The animation budget must have been enormous, because all of the fish are animated with utmost love and care. There are a lot of beautiful plants, and a lot of ambient soft blue light. Watching this anime is like going to an aquarium, and it's lovely.

I'm also watching Oddtaxi, which is about grumpy working-class men in their forties, and also they're all animals. I'm not sure how to describe Oddtaxi, except to say that it doesn't have any right to be as good as it is.
rynling: (Default)
Yumi is a 35-year-old housewife who decides to open a small bakery in Jiyugaoka, a suburb to the west of Tokyo. Her architect husband leaves his firm and starts working from home so that he can help take care of their ten-year-old son, Haruki.

Yumi’s cheerful and energetic best friend from high school, Chie, is an accounts manager for a restaurant supply company, where she is constantly harassed by gross older men. When Yumi goes to Chie to inquire about outfitting the bakery, she listens to Chie’s tales of woe and invites her to become her partner in the business.

Chie happily accepts the invitation, and she and Yumi open a bakery together. They decide to call their new business Pan no Kangei, which means something like “the warm sense of welcome you feel when a restaurant offers you freshly baked bread” but is officially translated as “Invitation of Bread.”

An upperclassman whom Yumi and Chie admired in high school, Sakamoto-san, works in the editorial department of a lifestyle magazine, and she visits the bakery to write an article. Sakamoto-san is beautiful and intelligent, but she is unhappy at her job because she feels as though the long hours she puts into writing for the magazine don’t leave her time for the creative work she always dreamed of doing. Yumi and Chie invite her to be the third partner in the business, so she leaves her corporate job and takes on the task of managing the bakery’s branding and social media accounts while working out her surprisingly violent frustrations on the bread dough every morning.

In every episode, Yumi and her friends try their hand at creating a new menu item, but they sometimes have trouble getting it right. They’re aided by a German sports reporter named Lars who lives in the neighborhood. While taking his Golden Retriever Lola out on walks, Lars visits the bakery and encourages the three women by telling them stories about the origins of various European pastries.

In the second half of the season, the bakery takes on a high school student named Momoka as a part-time worker. Momoka is the older sister of one of Hakuri’s friends, and she’s a video game otaku who has trouble talking with people. Yumi was also shy as a teenager, so she sympathizes. She invites Momoka to spend a few afternoons helping out at the bakery after school, and Momoka’s fantasies of heroes and monsters end up serving as the inspirations for several new confections.

Although the Pan no Kangei bakery gets off to a somewhat rocky start, by the end of the season it has become a neighborhood favorite, as well as a space for Yumi, Chie, and Sakamoto-san to reignite their high school friendship and rediscover the joy of the dreams they had when they were younger.
rynling: (Terra Branford)
Now that Philadelphia has lifted its pandemic restrictions, we were able to get someone to run a cable up to our apartment, and we finally have internet. Hooray!

(During the installation, I discovered that our apartment building has an epic murder basement. I might have to figure out a way to go back down there and take pictures, because wow. Meanwhile, the technician from Comcast wasn’t fazed in the slightest. I was tempted to ask for his number so I could treat him to a beer and hear his story. I bet that guy has seen some shit.)

I have a list of horror movies that I’d like to watch, but the habit of watching anime has become so ingrained that I turned on my PS4 and went straight to Crunchyroll. Most of what’s streaming is the same shōnen and isekai nonsense, but there’s a cute slice-of-life series with 15-minute episodes called Let's Make a Mug Too about an all-female high school pottery club. It’s about cute girls doing cute things in between sessions of talking about their feelings, and it was clearly financed by a regional tourism promotion board. My husband, who is 43 years old and served as an intelligence officer in the military of a politically unstable desert country before becoming the director of an internationally prestigious graduate program, unironically loves this show and watches an episode every day.

In fact, he loves it so much that he’s started writing (in his head) his own anime, which he calls "Invitation of Bread." From what I can tell, Invitation of Bread is about three thirty-something women who leave their corporate jobs to open a bakery in West Tokyo. This sounds like a solid and surprisingly legit premise. I’ll try to get more details and report back.
rynling: (Default)
I have now watched Azumanga Daioh, Nichijo, Encouragement of Climb, and Yuru Camp with my husband. We've also watched a handful of anime movies like Whisper of the Heart, Ride Your Wave, and Weathering with You.

Being a straight adult man, my husband is the target demographic for these sorts of "cute girls doing cute things" slice-of-life anime, and he really enjoys what we've watched so far. He also seems to be a fan of the pastel moé art style.

So this morning he picked up my Blu-ray set of Madoka Magica, and he was like, "This one looks fun, do you want to watch it together?"
rynling: (Mog Toast)
Earlier this week I realized that my husband has never watched anything from Studio Ghibli. He enjoys movies, but he’s in his forties and comes from a country where there hasn’t been a culture of anime fandom until relatively recently. He really likes the Makoto Shinkai movies we’ve watched, which he calls “documentaries about Japan,” so I thought that Whisper of the Heart would probably be the best Studio Ghibli movie to show him. He loved it.

I loved it too. It’s been about ten years since I last saw it, and I was not expecting it to hit as hard as it did.

Whisper of the Heart is about a middle-school girl named Shizuku who loves reading. Shizuku checks out books from the local library, and she’s noticed that there’s another kid’s name on almost all of the library borrower cards inside the covers of the books she reads. She ends up meeting this boy, who is her age but wants to study the craft of violin making in Italy instead of matriculating to high school. Inspired by his determination to follow his dream, Shizuku decides to follow her own dream of writing a fantasy novel.

Shizuku gets really absorbed in her writing. She tells a friend that she has no appetite because she’s too preoccupied with the novel, and then she eats shortbread cookies so she can stay awake while she’s writing in the evening. She stops hanging out with her friends after school so that she can fantasize about the novel while walking home. She only puts in the bare minimum of work necessary to get by at school, and her grades drop. She gets explosively irritated when people interrupt her while she’s writing. When she’s done with the story, she gets super neurotic about feedback. She cries a lot.

I was just sitting there, like, “Oh my god. Oh my god. Oh my god.”

How dare Hayao Miyazaki come into my house and call me out like this.
rynling: (Default)
My husband is a fan of European football, and he spends a lot of time scrolling through football Twitter under a pseudonymous throwaway account. Most of the accounts he follows are British. He got annoyed with not being able to watch the region-locked videos people linked to, so a week or two ago he set up a VPN. (If you’re curious, he uses ExpressVPN, which is $8 a month and seems to be working nicely for him.) His computer now registers as being in the UK, and he employs this for the nefarious purpose of watching a few minutes of football videos a day and being amused by the British ads that Twitter shows him (mostly for snacks).

Even though he doesn’t use it much these days, my husband never stopped paying for his Netflix account, and it recently occurred to him that, with a UK address, he could watch British Netflix.

So the other day I was standing in the kitchen waiting for tea to brew, and my husband was sitting on the couch looking at Netflix UK. I asked him if he’s found anything to watch, and he started complaining that Netflix keeps trying to show him animated movies. He told me that they look Japanese.

I was like, “Okay, yes, go on.”

And he was like, “Have you ever heard of Studio Ghibli?”
rynling: (Default)
Read more... )

This past week I was having a discussion with a group of students at a certain university in Montreal about Magic Knight Rayearth, and we were talking about how it was picking up on the "reluctant hero" theme of many giant robot anime. Someone said, "Like Evangelion?" and the other kids were like, "What's Evangelion?" Another kid said, "It's directed by Hideaki Anno," and the other kids were like, "Oh, of course, he's Moyoco Anno's husband." And that seemed to sort out the confusion.

And I laughed to myself, because sometimes I forget that, in some parts of the world, Hideaki Anno is considered to have done nothing of note aside from having the good fortune to be married to Moyoco Anno.
rynling: (Cool Story Bro)
I moved to a new apartment during the pandemic. Due to one thing and another (mainly the city of Philadelphia being hot garbage), I haven't been able to set up an internet connection. I have an unlimited data plan with my mobile network, so I use my phone as a hotspot, and it works fairly well. Unfortunately, the mobile network won't connect to my PlayStation 4, which means that I can't stream anything on my tv. I can use the HDMI cable for my drawing tablet to project my laptop onto the tv screen, but it's a hassle and doesn't look great to begin with.

This doesn't bother me, since I haven't been interested in movies or television recently, but it's been tough on my husband, who loves cooking shows and European football but hates watching things on a small screen. The obvious solution is to watch DVDs, but the only DVDs I own are anime. This is therefore what my husband has been watching for the past six months, and it shows. I wrote a short comic about this (here).

My husband was sad when we finished Azumanga Daioh, so we started watching Nichijou. He immediately got the opening song stuck in his head (to be fair, it's really catchy), and it blew his mind when I told him that the musician, Hyadain, uses voice modulation software to sing all the parts. My husband wanted to know if Hyadain has done anything else like this, so I told him about Super Mario Hyadain. If anything, this song is even catchier than the Nichijou OP, and I've caught my husband listening to it on his phone a few times.

So earlier today he said to me, "I never thought Bowser was in love with Peach, but I guess that makes sense. That's really sweet. Do you think anyone's ever written fanfiction about them?"
rynling: (Ganondorf)
I'm not trying to say that queering or straightening any given text or textual influence is good or bad, because both have their uses.

Rather, I'm uninterested in discussions of gender-based purity politics relating to women and gay people and media created by women and gay people. Not everything needs to be about the interests of straight adult men.

(Like, can you imagine if Revolutionary Girl Utena had to be subjected to that sort of discussion, how tedious would that be.)

Just let Sailor Moon wear magical sparkly nail polish under her elbow-length gloves, this is not the root of all misogyny.

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