rynling: (Cool Story Bro)
An Unfound Door isn’t an adventure story, though it starts as one.

Read more... )

...which is all well and good, but “tone” and “themes” are difficult to convey in a one-page cover letter! I will keep editing and adjusting and refining and submitting, though.
rynling: (Mog Toast)
While doing research on plague doctors, I recently found an old self-published book (this one here) whose author essentially drove around Germany while spending the night at various castles and taking amateur photos. The writing isn't great to begin with, and the book is filled with typos and formatting errors.

But honestly, I think that's charming. This one goth nerd's weird labor of love is worth an infinite number of AI-generated books with perfect grammar and stylistic organization. And let me tell you. Amazon sure is gloated with an infinite number of AI-generated books these days, many of which are travel guides filled with what I can only assume is hallucinated misinformation. I'm now starting to see AI-generated writing appear in academic articles as well, and I'm not feeling great about it.

As someone with ADHD who's been bullied for being "lazy" about my writing, I have to admit that this is actually kind of validating. Like sure, my work might have an occasional typo or mistaken homophone or awkward bit of phrasing, but at least you can be sure it was written by a human.
rynling: (Cool Story Bro)
My wizard detective story “The Case of the Phantom Portrait” was accepted for publication, so I’m thinking it’s time to write a new one.

Read more... )

Anyway, this story is about creativity and copyright law. And about how the latter shouldn’t exist.

Idk man, sometimes I think about how large animation studios treat their artists, and it makes me want to write stories about murder.
rynling: (Gators)
When I was in college, I was briefly friends with a guy who came off as an intellectual because he only read “important” books. I liked him well enough, but I never really took him seriously. He was one of those people who was always saying that he wanted to be a writer, but he didn’t write.

Read more... )

The point of this story is that anyone who has ever self-published a zero-review novel on Itch.io has added more to the world than this guy, and any random person posting gay furry porn on AO3 is worth a million shitty literary “geniuses.”
rynling: (Gators)
It appears that, once again, I got good solstice energy and spent the period between December 15 and January 15 writing the first 20k words of a novel.

The last time I did this was in Dec 2022 - Jan 2023, and I haven't looked at that project since then. I'm feeling the same sense of "I'm done" with my current project, The Archives of Hyrule, and I need to be careful not to let it fizzle out.

My problem is twofold. First, I'm not in love with the contemporary urban setting. And second, I'm feeling like I really need positive feedback right now. The first problem is easy enough to fix by setting the action inside and underground. As for the second, perhaps it might make sense to post the story on AO3 as a series of three or four "seasons." Maybe I'll let the already-written chapters rest for a bit while working on a few illustrations, and then I'll go ahead and post them later in the year.

Also, it might be nice to take a break from the Zelda nerds and get real about the "Bowser's Massive Cock Challenge" story I've been threatening to write for months now. I recently read a tidy bunch of Chuck Tingle stories (about the ongoing homosexual adventures of a billionaire T-Rex), and I feel like not everything has to be so serious. Sometimes it's okay just to be pounded in the butt by the physical manifestation of doing what you want and having a good time.
rynling: (Mog Toast)
Read more... )

Like 2024, this year was mostly about figuring out how to make good art, as well as how to find a place for it in the world despite being shut out by gatekeepers. Next year I will continue to challenge the gatekeepers! In the meantime, I’ll keep cultivating the most beautiful garden I can outside the wall.

Here’s to lots of green and growing energy in 2026. 🌿
rynling: (Gators)
2025 has been a productive year of writing lyrical and well-crafted short stories with unique and original conceits, but this has gotten me nowhere. Now that the semester is over, I will write what people actually want to read. I'm planning a multichapter fanfic titled "Bowser's Massive Cock Challenge," and it will be about... Well. I'm sure you can guess.

I'm not joking btw. Readers need joy, and writers need positive feedback.

(And purity advocates need to go fuck themselves, perhaps literally.)
rynling: (Default)
I just had a terrible idea:

Read more... )

I just had another terrible idea:

I bet I could use this conceit to write really interesting porn.

ETA: I outlined the story. This is going to be a good one. 🍸
rynling: (Gators)
Read more... )

So here's the question: I grew up in and around Atlanta and now live in the place I'm writing about. Would it be considered "appropriation" if I wrote the character speaking in my own natural dialect?

And here's the answer: This is not something normal people care about. You can't write in fear of bad-faith dipshits on the internet. As long as I'm not doing some sort of Stephen King level of caricature, I think I'm probably fine.

ETA: I think I got the voice down, and it's good. What gave me trouble ended up being my speculation on what robotics technology will look like fifty years in the future. But again, I decided that it's best to listen to the story itself and not think about the meta too hard.
rynling: (Mog Toast)
For me, the fantasy of this story is “what if the people pushed to the margins are actually very important,” which is something I’ve been thinking about lately.

Read more... )

But also the fantasy is, like. What if tech oligarchs actually cared about culture and education. Imagine that lmao.
rynling: (Terra)
Story Summary: Zelda has resigned herself to a dingy office in the dustiest section of the museum basement, but her complacency is disturbed by Ganon, a tech investor who demands access to the collection. As Zelda investigates the objects of his interest, she discovers that some of the more obscure holdings in the underground storage vault are more than mere relics. The museum hides a secret that should perhaps remain buried, but Ganon is relentless in his pursuit of knowledge that has long been forbidden. Despite her better judgment, Zelda finds herself drawn along with him into the mystery of the archives.

…that’s a bit rough, but it works, right? Maybe this story will be fun as Zelda fanfic.

I think it might also be cool for every chapter to include something like a tabletop RPG artifact card that consists of an illustration in (this) style along with a short written passage featuring some Dark Souls / Final Fantasy XII flavor text.

I’d also like to create character illustrations, maybe. I’ve always loved the Dragon Age tarot card style, and it might be an interesting project to learn to replicate it.
rynling: (Default)
I'm thinking about getting started on a new novel. I'm calling the project "The Dark Archive" until I figure out a better title. It might be worthwhile to assemble a set of query materials as I go along, but I'm not against the idea of writing something self-indulgent and unmarketable. If I were to self-publish, what an adventure that would be.

The basic premise:
An archivist relegated to a basement room under a museum is pressured by a wealthy donor who wants access to the collection. When she investigates the objects of his interest, she finds that a number of the museum's more obscure holdings are imbued with magic.

Writing goals:
1. One chapter = one scene. A chapter doesn’t need to be longer than a thousand words.
2. There should be spice every four chapters. Even in this house of death we fuck.
3. This could perhaps be a Zelda fanfic, and it’s okay to use Zelda names as placeholders.
4. I want there to be academic marginalia – index cards, articles, bibliographies. Footnotes!
rynling: (Default)
I wrote this as a reply to a comment on my Legend of Zelda fanfic novella What Dreams May Come, but it's worth sharing here as well:

Read more... )

Specifically, if this is what happens to a society sustained by a torture nexus, perhaps it makes sense to disable the torture nexus. Idk man. When it comes to the torture nexus (ie, capitalist imperialism), I think it's important to tell stories about what a joy and a pleasure it is to destroy the loathsome thing.
rynling: (Terra)
“The Case of the Phantom Portrait” is a fun short story with an interesting conceit and a satisfying resolution. It’s also quite original, I think. How many stories have you read about wizard detectives?

Read more... )

Is there a market for this? No. Is it likely that anyone will buy it? Also no.

But is it good and noble and worthwhile to put art into the world? Hell yeah brother.
rynling: (Ganondorf)
Large Language Muddle
https://www.nplusonemag.com/issue-51/the-intellectual-situation/large-language-muddle/

But a still graver scandal of AI — like its hydra-head sibling, cryptocurrency — is the technology’s colossal wastefulness. The untold billions firehosed by investors into its development; the water-guzzling data centers draining the parched exurbs of Phoenix and Dallas; the yeti-size carbon footprint of the sector as a whole — and for what? A cankerous glut of racist memes and cardboard essays. Not only is the ratio of AI’s resource rapacity to its productive utility indefensibly and irremediably skewed, AI-made material is itself a waste product: flimsy, shoddy, disposable, a single-use plastic of the mind.

We're now a month into the semester, and I'm working my way through my classes' first batch of reading responses. It's impossible to exaggerate how obvious the computer-generated essays are. How obvious, and how insulting.

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So, to me, this essay isn't wrong, necessarily, but it demonstrates an onanistic obsession with intellectual privilege that runs counter to its stated goal of resisting the encroachment of LLMs into public discourse. As the market for writing shrinks due to lack of funding, building even higher walls around "the literary community" isn't effective praxis.
rynling: (Cool Story Bro)
I'm currently writing an original piece of flash fiction called "In This House We Love Hello Kitty," which is about an aging Millennial who's doing some urban exploration and comes across an old CRT monitor that reminds him of how his grandmother used to defend him against his homophobic parents before she got numerology brainrot from Facebook.

For this story, I had to come up with some original numerology rants, and it was surprisingly easy to do.

Read more... )

I'm good, right? And I could do this all damn day. I'm sure this has nothing to do with ADHD
rynling: (Gators)
It’s very cool to have gotten a Lovecraft pastiche accepted for publication (fingers crossed). When it (hopefully) comes out, it will be the third Lovecraft story I’ve published in a fiction magazine.

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I sincerely believe that people should write whatever they want, but a part of me still worries that I’m going to be judged for aligning myself with the work of such a problematic author.

The truth remains, though, that these Lovecraft stories only occupy a small closet in the house I’m trying to build with my writing. What I’d want to say to anyone who judges me is not to be like the small rural library that only had room for Stephen King and HP Lovecraft, but to create space for original work that does more than facilitate a feedback loop of preset responses.
rynling: (Gators)
People who have been accepted by Clarkesworld or have been slush readers, what exactly does Clarkesworld look for?
https://www.reddit.com/r/writing/comments/1mi8uym/people_who_have_been_accepted_by_clarkesworld_or/

Generally the two traits I've noticed among the authors we've published is that they steadily improve over time and persist long enough to cross the line. How long that can take is wildly variable. Some manage to land on their first try, but others have sold stories after 80 or more. Most authors give up before the third submission.

Words of wisdom from Neil Clarke himself. I love that he's not only active on Reddit but genuinely supportive of emerging writers. What a legend.

Read more... )
rynling: (Ganondorf)
I finally finished a stupid two-panel comic (this one here) about my fantasy of taking direct action against oligarchs. The no-minimum tariffs bullshit absolutely wrecking the small businesses of indie artists was the straw that broke my back.

Read more... )

But also, listen. In actual reality, hammers.
rynling: (Ganondorf)
Earlier this year, I wrote and published an essay called “Dark Academia for Dark Times.” The editor of an emerging horror fiction magazine shared a link to the essay in an appreciative post on Bluesky and tagged me, and this morning I retweeted it. I instantly lost ten followers.

Read more... )

The funny thing is that I didn't even know that ten people cared about anything I did. Like, I feel lucky if any of my posts on Bluesky gets ten notes. Once again I find myself wishing that people who consider themselves to be LGBTQ+ activists were as quick to support work made by LGBTQ+ creators as they are to call out what they perceive to be community infractions.

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